Art Fusco's History Blog

20 More Years - The Nickelodeon Time Capsule

4/29/2022

Nickelodeon Studios, Universal Studios, Orlando, Florida 1992-2006:

It's April 30, 1992. I'm a 9 year old in my living room, living in San Diego, California, watching Nickelodeon. For weeks they had been advertising the burial of a time capsule in front of their studios in Universal Studios Florida. Today was the day they were burying it. I remember Mike O'Malley and Joey Lawrence hosted the ceremony. In the middle of it all, fake Doc Brown drove up to make sure there was still Gak 50 years into the future. Finally, they put the Kid-Cam - a video camera held by a girl named Vikki Horn - in the capsule, closed it up and lowered it.

I'm not sure why, but the idea that this time capsule was being buried for 50 years appealed to me. Suddenly I felt like I wanted to be there when they opened it 50 years from now. I then promised myself that I would be there when it happened. Afterwards, I put some toys in a small box and "buried" it under my stairs for about a month until I wanted my toys back.

And then seemingly, nothing happened for a long time. The advertisements stopped and nobody spoke of it on the channel. However, if you visited Nickelodeon Studios in Universal Studios, Florida, you could see the burial marker for the time capsule in front of Studio 18, right next to the slime geyser.

Full marker includes a green splat

Detailed view of the marker

The '90s became the 2000s and I eventually grew up. Then I heard the news that Nickelodeon Studios would be closing after 15 years. My immediate question was whether or not they were going to keep the time capsule there. The studio officially closed on April 30, 2005. The following month, they removed the Slime Geyser, but the time capsule marker remained... until August of 2006.

Slime Geyser removed, but the time capsule marker remained

Time capsule and marker replaced with a concrete slab

Update:09/24/2022:
I recently found out that the burial marker that once laid there was kept by a studio staffer once the time capsule itself was removed. The marker is solid metal with a diameter of 42 inches that weighs almost 45 pounds.

Current satellite image of Building 17, Studio 18 and Studio 19 of Universal Studios Florida (former Nickelodeon Studios). The 1st green rectangle is approximately the location of where according to the video, the time capsule was buried. However, the time capsule was actually buried where the 3rd green square is. The 2nd splat on the map was where the Slime Geyser was located before being removed.

Nickelodeon Suites Resort, Orlando, Florida 2006-2016:

Suddenly the question became: Where's the time capsule?

Turns out as they closed Nickelodeon Studios, they were opening Nickelodeon Suites Resort, also in Orlando, Florida. The time capsule was quietly transferred to the hotel and reburied in front of their lobby with an updated marker. The fandom soon found out and it became a tourist attraction.

The time capsule at it's brand new location

Detailed look at the burial marker

Fast forwarding to 2016. I'm now 33 years old and divorced when I hear that the Nickelodeon Suites Resort would close. Once again the same question came up of whether or not the time capsule would stay. Turns out, it didn't.

After the hotel closed, the time capsule and marker were removed from the front of the lobby. The tiles show the obvious disturbance in the patterns.

Nickelodeon Animation Studios, Burbank California 2016-2022:

It was soon announced that Nickelodeon's Animation Studio, which moved to Burbank in 1998, was being expanded to add new buildings and a courtyard. It was confirmed in this article that the animation studio would be the next resting place for the time capsule. The following year, after the ribbon cutting ceremony, it was confirmed by this tweet that the capsule was reburied in their courtyard.

Click to go to the tweet

However, there seems to be no picture of the burial marker or the exact spot in the courtyard where the time capsule is buried. I sat through many videos and pictures of the studio's courtyard and well... this is my best guess:

This is the courtyard of Nickelodeon's Animation Studio in Burbank as seen from above. I noticed that there is a white square object in the grassy area.

I started watching video of the studio's construction and realized at that exact spot, they had installed a square concrete hole. Could that be were they buried the Nickelodeon time capsule? And is the white square object we see the burial marker?

Nickelodeon Animation Studios courtyard during construction

Closer look at the concrete hole

The truth is I don't know. *dodges slime bucket*

I haven't been able to find footage or pictures that shows the square in full detail, so unless someone who works or visits the studio takes a picture of it and posts it online, there's really no way to tell.

It is now April 30, 2022. I'm now 39 years old. When April 30, 2042 comes, I will be 59 years old. I hope to be alive and healthy enough to go to the event where they will inevitably unseal the time capsule. My promise to myself as a 9 year old is still going strong 30 years in. Only 20 more years to go!

Update 09/24/2022:
After going missing for 16 years, the original time capsule burial marker that sat in front of Studio 18 in Universal Studios Florida from 1992 to 2006 went into auction at Heritage Auction. It sold for $19,200. The back of the cover has a list of all the object that were put into the capsule.

But really, if you know the exact spot in the current courtyard where the time capsule is buried, please take a picture of it and post it online and send me a link on my twitter account.

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Old Tweets: A short history of movies and Beers

10/16/2021

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(satire and written just for fun)

I've posted a lot about how much I and others like me get attacked for our views about NuTrek. For some, the attacks have gotten to the point where they feel like they must leave social media for their own health and that's very sad. However, I wanted to post something kind of fun and silly.

See, I've inherited a thick skin when it comes to the attacks because I'm not the first one in my family to receive such attacks. Let's start from the beginning when my Great-Great-Grand- Beer-Father, Joseph Beers, encountered his first Kinetoscope in 1895.

How do I know about this, you might ask? Well he tweeted about it of course! ;)

Of course, this was Edison's famous Kinetoscopic Record of a Sneeze, which came out the year before:

The response from Edison excited Joseph so much, he decided to watch more of these moving pictures and tweet his thoughts on them. Sometimes the responses he got weren't so positive:

Until his death in 1909, Joseph would continue to critique motion pictures. Many of them he watched with his son, Jacob Beers. Jacob soon began tweeting his critiques as well. Unfortunately, his style of critiques caused a rift between the Beers Family and Thomas Edison:

Jacob would spend his career in and out of Twitter jail for such harsh reviews. Sometimes the creators of the film would clap back at him for publishing his most truthful thoughts:

Though he didn't always get it right. Sometimes his reviews would miss the mark:

Some attacks weren't even about his reviews, but predicated on the political climate at that time:

The family business was soon passed onto my Grand-Beer-Father, John Beers. John wasn't as harsh as his dad Jacob, but he could still ruffle a few feathers:

Eventually John would begin critiquing television shows as well as movies. Of course, it was a different time than when his father did the job. While Jacob once got suspended for saying that he liked to drink wine, John could have exchanges like this without consequence:

John eventually decided to retire and pass the job down to his son/my father, Jason Beers. However, my father had other plans:

So you see friends, the attacks over my opinions are nothing new to me or my family. I'm pretty sure there is still a feud between the Beers and the Edisons. Maybe someday those attackers will see this silly ass post and realize just how silly they're being themselves. After all, it's just pop-culture.

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In-House: How Secret Hideout steals ideas

7/15/2021

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A slide from Von Dunker's pitch

There have been a lot of problems behind the scenes of CBS/Viacom and Secret Hideout's production of Star Trek Discovery. From toxic showrunners to lawsuits claiming plagiarism, it has been a rough ride for the show, which could only hold an average of 1.7 million viewers when it aired the first season on CBS Television last year. Recently we learned via Orville Nation that Secret Hideout may have stolen an idea from Daryl Von Dunker, who is an author, editor, scriptwriter and Trekkie. She had approached CBS in January of 2019 with a plan to itemize all of their props for Star Trek using iBook. An electronic props bible, if you will.

"Pretty much started by asking what they had which was three boxes of stuff in a closet. It was no longer a 'book' of any kind. Lots of prop bibles ended up looking like a photo album where you add and subtract pages that have photographs of the props. With just one or two seasons of Discovery at that time, they had already exploded beyond the book boundaries and had boxes of stuff." -Von Dunker

Discovery's prop-master, Mario Moreira, asked her for a proof of concept, so she went to work on it. For months she put this electronic props bible together for them. She worked on it from June to August of that year and came up with a first draft, which was mainly an index, a video introduction, a table of contents, and chapter examples, but opened the potential to have 3D files linked to them as well as the history of every prop, such as who made it, what materials was it made of, what colors were used, etc. as well as notes and links to scripts.

She managed to get ahold of John Van Citters, Vice President Star Trek Brand Management at CBS, who told her in August of 2019 that he couldn't independently greenlight it due to the merger with Viacom complicating things. According to Von Dunker, "he thought it was for archiving. His assistant never understood it was to help make & create the shows."

She decided to approach them again in June/July of 2020 and they asked for a second draft, so Von Dunker spent three more months refining her props bible. She added some new features like inventory control, videos, links and visuals. In her words, "It was a 'table of contents' of what 'could' be and why." There were plans to further upgrade the book and to even make it phone accessible.

"These electronic books, like all eBooks, could live on their phones. The beauty was that the books could live behind their CBS All Access website firewalls." -Von Dunker

A second meeting was set up for this pitch on November 2020, this time with Michelle Paradise and Akiva Goldsman in the room. She asked if Jonathan Frakes could join them for a director's point of view, but they didn't seem interested in including him. According to Dunker, Paradise seemed interested in what she was pitching. She was reading the power point slides and asking questions. Unfortunately one of the executives in the meeting then told Paradise that they had decided to do this project "in-house", meaning they planned on making their own electronic props bible within the studio instead of contracting someone else to do it. That felt threatening to Von Dunker, since this was her idea.

A slide from Von Dunker's power point pitch. This is the slide Paradise seemed most interested in.

She continued her pitch when the executive said, "Somebody make her stop talking", cutting the meeting short by ten minutes. Goldsman ended the meeting by telling her that he liked the idea but because of Covid and funding, they couldn't pick it up. This should have meant that Von Dunker could take her ideas elsewhere, except for one thing:

The next day, prop-master Mario Moreira called Von Dunker and threatened that if she tried to take her electronic props bible to Disney or Pixar, she would get blacklisted from the industry. So in the end she worked all that time to make this book and they ended up not buying it or paying for her work. She can't even pitch it to other companies for fear of reprisal. They kept the files she sent them for the pitch (which were not encrypted) and she believes that they're using them to keep their hundreds of props over the last four seasons of Discovery, as well as Strange New Worlds, organized.

Why else would they threaten the blacklist someone for taking their rejected idea to another company unless they were going to take it for themselves?

"From what I saw, within my part of the project, they liked having their creatives dependent on them. They like having creatives that don't have any other projects and that Star Trek is all they do. There is a certain measure of control they have when the only bread and butter that person has is Star Trek." -Von Dunker

When looking up prop-master Moreira, I noticed that there was an entry on his Memory Alpha page that was linked to a tweet. That tweet and the account are now deleted, but thanks to the Way-Back machine, I was able to retrieve it. It seems like in-between those pitch meetings, Moreira was put in charge of props for Strange New Worlds and was "actively prepping, and getting new and old prop designs together" during the lockdown. Von Dunker had believed that if they knew how to do what she was doing, they would have already done it. Seeing as the executive in the meeting confirmed that they were making an "in-house" electronic props bible, it looks like they were already in the process of doing that by the second pitch meeting.

In an interview with StarTrek.com in 2018, Moreira revealed that he wasn't introduced to TOS until he began working on Discovery, saying "For me, Star Trek is Next Generation and further on after that. My introduction to The Original Series came once I got the job on this show, when I started going back and researching." He also estimated that for season one of Discovery, they made about 120 props, which according to Dunker, had filled up about three boxes full of binders. Von Dunker's props bible would have been able to access all of those props by phone if she had gotten her way.

Her ultimate idea was that if this worked out, she could make show bibles for each show, each species, etc. The sky was the limit. However, it would still take a lot of work to complete these bibles, and as an adopted member of the Lakota Nation, she was willing to hire teams of natives to help and keep up with whatever demands Secret Hideout had.

Unfortunately because of an executive and a prop-master, that's not what happened and now Von Dunker needs help. She recently set up a Go-Fund-Me in order to pay some of her bills. She holds no ill-will towards the people who did this. Her ultimate goal is to get CBS/Viacom and Secret Hideout back on the table so that she could continue to work on the project and possibly open up some much needed jobs.

"The world of Star Trek is so huge, there's more work to be done, so let us help you, let us do the work." -Von Dunker

She worked months on this project after asking for a proof of concept and in return, they took her idea "in-house" and threatened to blacklist her if she took that idea elsewhere. If you would like to help Von Dunker, please click here donate to her Go-Fund-Me page. Better yet, if you have a project that you think could use her services, check out 5th Dimensional Publishing.

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20 More Years - The Nickelodeon Time Capsule

Old Tweets: A short history of movies and Beers

In-House: How Secret Hideout steals ideas

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